
Why Musicians Use Enharmonic Equivalents in Compositions
When I began learning music, “enharmonic equivalent” seemed like a mystical term. Enharmonic equivalents are notes that sound identical but are written differently. Imagine a spy with different identities; in music, this could be C♯ and D♭. They’re like identical twins—different names, but indistinguishable to our ears. Common examples include F♯ and G♭ or B […]
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