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What is piano chord?

Posted on August 12, 2020 by songtive

piano chords with Piano Companion

A piano chord is one of the main building-blocks of music in western culture. Along with scales and intervals, piano chords are responsible for the creation of cohesion and structure in essentially every song and piece of music.

A piano chord can also be defined as a collection of notes in a predetermined type of ordering. This ordering is based on the idea of stacking two notes over a root at a determined interval (distance) called a third. The three notes that make up a piano chord are respectively called root, third, and fifth due to the order in which they appear. A simple approach to playing your first piano chord would be to visualize them as a simple but abstract three-note structure that can be imposed over the white keys of the keyboard. Basically, an initial note then skips one key, press that one, and repeat the previous step.

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Musical intervals and piano chord

To be able to learn to quickly construct piano chords, we should first examine their most fundamental building blocks, the aforementioned intervals. A musical interval is the measure of the distance between any two given pitches within a reference system. A good way of understanding intervals is through the use of the smallest possible distance between two distinct notes, the half step. This method to measure distance can be exemplified by playing any key of the keyboard and then playing the most immediate key over or under it. For example, C and C# or C and B. It should also be noted that our tuning system only contains twelve distinct pitches, meaning that after 12 half steps the system repeats itself with the last note carrying the same name as the initial one.

These intervals are then categorized in a series of numbers directly correlated to the number of half steps and keys implied.

 

Interval Name Amount of Half Steps
Minor second 1
Major second 2
Minor third 3
Major third 4
Perfect fourth 5
Augmented fourth 6
Perfect fifth 7
Minor sixth 8
Major sixth 9
Minor seventh 10
Major seventh 11
Perfect octave 12

Types of piano chords

Triadic piano chords are the most simple and common types of chords we can find in music. These are essentially small collections of three notes which follow a certain ordering of third intervals within a scalar reference system.

Western tonal music and its particular tuning system produce only four distinct types of triads. Namely, major, minor, diminished, and augmented. On top of having a radically different sound and emotional properties, these chordal structures are differentiated from each other by the ordering and quality of the intervals between its constituent factors. These intervals are always thirds, both major and minor. The order in which they appear will determine the quality of the piano chord at hand. These are exemplified in the table below:

Type of chord Quality and order of thirds* Amount of half steps and total intervallic content
Major M3+m3 4+3=7
Minor M3+M3 3+4=7
Diminished M3+m3 3+3=6
Augmented M3+M3 4+4=8

*Where “M3” is the major third and “m3” is a minor third.

Like most things in music, like rhythm, form, or dynamics, chord types aren’t absolute and isolated objects. They are a product of the distance relationships between its constituent members (notes) and as such, conform abstract, distance-based structures that can be applied to any given note of the chromatic system (twelve-note system), using it as root to produce a chord. That’s why to produce any chord of any type, you should just choose a starting pitch and apply the structure and order of the intervals over it.

Finally, it should be noted that piano chords are simple musical structures of very low order in terms of hierarchy. Furthermore, they are somewhat similar to single words in written language, meaning that they carry a particular meaning by themselves but not a fully developed idea. Also, they are susceptible to being combined with other chords to make up progressions (similar to the way words combine to produce sentences in written language). These progressions are common patterns or successions of certain chords that produce coherent musical ideas and phrases.

Extended piano chords

Following the same logic applied to the formation of simple triadic chords, we can create more complex structures by stacking even more thirds over the root note. By adding a single extra note on top of the triad we get a seventh chord.

Depending on the original triadic structure on which these chords are based, the quality of the new one may vary. For example, if we add a major third over the last note of a major chord, we get a major seventh chord, if we add a minor third over the same structure, we get a dominant seventh chord.

Type of chord Triadic origin Quality and order of thirds* Amount of half steps and total intervallic content
Dominant seventh Major M3+m3+M3 4+3+4=11
Major seventh Major M3+m3+m3 4+3+3=10
Minor seventh Minor m3+M3+m3 3+4+3=10
Minor – Major seventh Minor m3+M3+M3 3+4+4=11
Half – Diminished Diminished m3+m3+M3 3+3+4=10
Fully – Diminished Diminished m3+m3+m3 3+3+3=9
Augmented dominant seventh Augmented M3+M3+º3 4+4+2=10
Augmented major seventh Augmented M3+M3+m3 4+4+3=11

*Where “M3” is a major third, “m3” is a minor third and “º3” is diminished third.

How to read piano chords

Notation and reading of chords are actually very simple and intuitive processes. The root of the piano chord at hand will always be capitalized and then followed by other characters that explain their particular qualities and peculiarities.

Type of chord Notational symbol (examples in C)
Major C
Minor C- or Cm
Augmented Caug or C+
Diminished Cdim or Cº
Major seventh Cmaj 7
Dominant seventh C7
Minor seventh Cm7
Fully diminished Cº7

If you are looking for a piano chords dictionary or piano chords scale. Feel free to check out our Piano Companion for iOS, Android, macOS. Additionally, if you want to learn notes, chords, theory then you can check ChordIQ for iOS, Android.

The Chord Progressions of Christmas Music

Posted on November 29, 2019 by songtive

The holiday season is approaching, and what better way to get into the spirit than by analyzing the chord progressions of your favorite Christmas songs? With the help of Piano Companion, you can not only play these songs but also understand the theory behind their timeless sound. Let’s dive into the chord progressions of some of the most popular Christmas songs and see how you can recreate them with the app.

Chord progressions provide for the basis of every song. First is a look at the chord progressions of the choruses of four popular Christmas songs from different eras. After that, you will find how to replicate the chords of these choruses using the Piano Companion app on your phone, tablet, or computer.

“All I Want For Christmas Is You” – Mariah Carey

Mariah Carey’s Christmas song “All I Want For Christmas Is You” was first released in 1994 and has turned into a modern-day classic. In fact, there are estimates that the song will hit #1 on the Billboard Hot 100 for the first time in 2019, a full 25 years after the initial release. Written and produced by Carey alongside Walter Afanasieff, the chord progression and chords in the chorus are much more complicated than one may think for an instantly catchy song.

“Jingle Bells” – James Lord Pierpont

“Jingle Bells” dates back to 1857, when it was performed by James Lord Pierpont and titled “One Horse Open Sleigh”. There is no doubt that this has become a well-known classic, and it has been covered by countless singers ever since it was originally released. Its chorus does not follow a simple sequence with its chord progression and chords; rather, it utilizes multiple of them that combine to make this previously seemingly simple song into a classic.

“Last Christmas” – Wham!

“Last Christmas” was released by Wham in 1984. It topped the Billboard charts in many countries, mostly throughout Europe, and peaked at #5 on the US Holiday 100. It’s been a mainstay on holiday playlists ever since it was released, with countless covers and reissues. The chorus of “Last Christmas” follows a four-chord progression and utilizes four chords, as noted above. The chord progression is used in many other songs, particularly in the beginning stages of jazz music. With that in mind, it is impressive that Wham pulled this chord progression off as a holiday pop song.

“Frosty the Snowman” – Walter Rollins and Steve Nelson

Like “Jingle Bells”, “Frosty The Snowman” is a classic holiday song that seems to have been a mainstay in holiday music for a long time. The song was written in 1950 by Walter “Jack” Rollins and Steve Nelson, the former of which sang (but did not write) “Rudolph, the Red-Nosed Reindeer”. “Frosty The Snowman” went as high as #7 on the Billboard Pop Singles chart, a now-defunct chart that preceded its flagship Hot 100. It also went to #4 on the now-defunct Billboard Country Singles chart. Despite being in the simple key of C Major, the chorus has a rather complicated chord progression. While most of the chord progressions are I and IV, and most of the chords are C and F, the sequence of them does not follow prolonged patterns and is occasionally interrupted by other chord progressions and chords.

Unlock the Power of Music Theory with Piano Companion

What makes Piano Companion so invaluable to musicians of all levels is its ability to teach, inform, and inspire creativity. Whether you’re a beginner just learning about chord progressions or a seasoned songwriter looking for new ideas, this app has something for everyone.

Here are some of the standout features of Piano Companion:

  • Find piano chords and scales by key or using your external MIDI keyboard
  • Create custom chords and scales for your user library
  • View chord and scale notes on the grand staff, degrees, intervals, and fingering
  • Listen to chords and scales in a loop or arpeggiated form
  • Explore compatible chords and scales for any progression
  • Practice scales, chords, and progressions in different keys and clefs

How to Use Piano Companion for Your Holiday Practice

If you’re planning to play any of these classic Christmas songs, start by downloading Piano Companion and exploring the chord progressions in the app. You can save your progressions, try different versions, and even build custom progressions using the app’s Chord Progression Builder. Not sure how a chord sounds? Play it on repeat or as an arpeggio until you’re satisfied with the sound.

Even better, the app lets you record your practice sessions so you can listen back and track your progress. You can tweak your fingerings, try alternative voicings, and experiment with different time signatures – all within the app!

Make This Holiday Season Musical with Piano Companion

As you gather around the piano this holiday season, let Piano Companion be your guide to making these festive melodies come alive. Whether you’re performing for friends and family or simply enjoying a quiet practice session, the app will enhance your understanding of music theory and inspire you to create your own seasonal classics.

Start exploring the wonderful world of chords, scales, and progressions today by downloading Piano Companion, and let the music flow!

The Chord Progressions of Hit Songs in 2019

Posted on October 14, 2019 by songtive

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Chord progressions provide for the basis of every song. First is a look at the chord progressions of the choruses of four of the most popular songs in 2019, according to their chart placements on the Billboard Hot 100. After that, you will find how to replicate the chords of these choruses using the Piano Companion app on your phone, tablet, or computer.

This list would not be complete without Lil Nas X’s debut song Old Town Road, which spent a record-breaking 19 consecutive weeks leading the Hot 100, with a remix with Billy Ray Cyrus impacting radio stations everywhere. Lil Nas X originally went viral with this song on social media before it turned into a mainstream hit. The key of G# Dorian is not one of the most popular ones, nor is the overall chord progression. Despite the massive success of this song, the instrumental melody of the chorus isn’t exactly seen as one that would make for guaranteed success.

Lizzo’s song Truth Hurts has an interesting backstory when it comes to chart success. It’s spent more time at #1 on the Billboard Hot 100 than any other song in 2019 except for Old Town Road, despite originally being released on September 2017. Nevertheless, the song became a big hit eventually and musically has a relatively basic chorus. It only has two chords, and the key of C Major is one of the most-used in music. Clearly, it did not take a complex chorus melodically to turn this into something people want to hear.

Shallow is the only ballad on this list, as well as the only one to top the Billboard Hot 100 in 2019 through mid-October. It is also the only song on this list to have more than four chords in its chord progression. With those outliers in mind, it is worth noting that the song is set in the key of G Major, the single most popular key in music. This may allow listeners to hear a very familiar sound, which could explain why it is so radio-friendly. Through radio play well past its initial release, one could argue that it is a modern-day classic.

Perhaps one of the toughest songs to learn how to play on this list is a straight-up pop song. Halsey’s song Without Me spent two non-consecutive weeks atop the Billboard Hot 100 and had a lengthy run on many Billboard charts. Its chorus features a four-chord progression, which isn’t unusually long, but the key of D# Minor isn’t particularly common.

Sunflower spent one week at #1 on the Billboard Hot 100 and is the song that interrupted Without Me’s two-week run. Like Without Me, Sunflower’s success was and still is long-lived. While both artists performing the song are best classified as rappers, Sunflower plays more like a basic pop song. It’s in a popular key and has a pretty basic chord progression. The first four chords of the chorus are all D Major, followed by four G Major, followed by four E Minor, and then back to G Major for the final four chords. It is the only song on this list where the chord progression features chords repeating themselves consecutively.

As you may have noticed, none of these five songs share the same chord progressions or keys, making for a diverse group of music. From that, it can be argued that people are willing to listen to many different chord progressions in many different keys, just as long as the music fits with the vocal melody.

If you are looking for a way to play these melodies yourself, download Songtive’s Piano Companion app on your phone, tablet, or computer. Upon opening the app, navigate to the Chords Dictionary tab to get a visual glance at how to play each cord. Then, find your way to the Piano tab and you can try it for yourself. The default sound is Grand Piano, and there is a setting to change the sound of something such as a guitar or synth by tapping on the upward arrow in the top right corner. Even better, you can record while you play so that you have a chance to listen back.

If it takes you some time to find the chords in the Chords Dictionary tab, there is no need to worry; once you find the chords, you can add them to your Chords Dictionary to make it quick and convenient to re-find the chords.

Top 5 Excellent Habits Of A Healthy Musician

Posted on March 19, 2019 by songtive

pexels-photo-977971Music making is the best way of expressing your emotions and feelings especially if you are a musician. You will be able to come up with music which you can’t only related but for your listeners also to feel what you are trying to say. You will be able to build interaction and at the same time, your ability to let them out their emotions through your music is much more of an influence.

However, as you dedicate so much of your time in music making, have you ever experienced serious pain because of rigid music making? Have you ever come to a point where you almost give up because you undergo so much terrible pain and feel like you’re almost dying? Have you ever decided to give up because the tiresome you feel is intolerable?

If your response is yes, then maybe it’s time for you to consider and review your health habits to make sure that the pain you’re suffering because of music making won’t get worse. In this article, we’d like to give you some tips on how you can get away with a painful feeling so that you can continue your music making job without risking your health.

Take Care Of Your Mental and Physical Health

One of the best qualities that every musician has is being ambitious. Being ambitious means imagining himself soaring high in the music industry and creating music that will create an enormous response from their fans. While this may be true, you have to understand that everything has limitations especially if you are a beginner. Your mental and physical health will be affected if you abuse yourself in creating music too much.

Taking care of your physical and mental health as a musician means you have to understand your limitations. You can have a practice every day or create a music piece gradually, but if feel like you need a rest, then take it. When it comes to your voice, some vocal experts like Bohemian Vocal Teacher can ultimately guide you what are the necessary steps you should take in order to take care of your vocal health.

Establish A Right Workflow

I guess it is basic for every career you want to take that once you do a particular task you have to establish the right workflow. You need to manage the things you need to accomplish within the day so you will not be loaded with a lot of workloads in the coming days and would not possibly meet the deadline if you don’t structure them well.

The same thing for a musician, whether you are a professional or a beginner, you have to properly produce the right workflow that you need to comply within the day. Set limitations and boundaries and make sure that you also lay out what are your top priorities. Take things easily and manage them well.

Prepare Adequately

When you are performing either playing in the band or singing, you have to take practice. It may sound an old cliche but practice always makes things perfect. Your ability to prepare before you head on to a performance will surely give you a fun moment during the show, you know what to do, and you will not be pressured whether you’re going to make an excellent performance or not.

Consult Health Experts

For most of us, if we feel something painful we normally self diagnose and heal ourselves. This may be true for temporary pains. If you are a musician and has feeling acute pains for a long period of time, diagnosing yourself won’t relieve the pain you’re feeling at all.

In this case, you need to consult a doctor and should undergo a general check-up. You need this to make sure that you know what your body really feels. Once you have the results from the health expert, they would also be able to provide you the right medication you can take in and the way how should it be taken to make sure that the pain you’re feeling won’t get worse.

Exercise and Eat Healthy

As a musician, it is true that you exhaust yourself and dedicate all of your time in music making that you skip your meals and instead replace them with unhealthy snacks. Always remember that in order for you to regain your energy because you were exhausted too much in making your music, eating nutritious food will be the best way to gain back what you have lost.

Also, find some time to take exercise your muscles and limbs will be stretched and it won’t get still. Studies have shown that prolonged inflexibility of muscle can cause strain which can lead to severe muscle injuries. To avoid that, you have to exercise well and eat nutritious foods.

Great Chords of Pop

Posted on October 10, 2017 by songtive

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Great songs often use great chord progressions. Today, we bring you the legendary I – V – vi – IV progression, which is used by these legendary artists to create songs that are to be considered modern classics. Check it out!

  • Let It Be – The Beatles
  • Another Girl, Another Planet – The Only Ones
  • All You Wanted – Michelle Branch
  • No Vacancy – One Republic
  • And We Danced – Macklemore
  • Save as Draft – Katy Perry
  • Ain’t Your Mama – Jennifer Lopez
  • Bailando – Enrique Iglesias

See how this chord progression is used for different music styles from a rock ballad, through punk rock to today’s pop classics such as Bailando!

Depending on how you use it with our Songtive app, you’ll get different results, but we’ll get to it in a moment.

The Progression

This chord progression is derived for the 50s progression, which we discussed already, but the chords’ order is changed in order to get a different kind of feeling. As the 50s progression sounded more melancholic due to the I – vi chord change (major chord to a minor chord), this time the order is changed to I – V (major chord to major chord) to achieve a cheerful tone that will help you to reflect the positive sensation of your song. So, the mood of your song will mostly go from happy (I – V) to inspirational (vi – IV).

Let’s use The Beatles’ Let it Be as an example:

The notes are:

C – G – A – F

Now, if you take these notes and make them the root of their own chords in the key of C Major, you’ll get the progression:

C – G – Am – F

And by writing it as a chord chart you’ll get the following:

Using it like scale degrees with roman numbers, you can transpose it to any other major key with the Songtive app:

In D major:

In E major:

E – B – C#m – A

etc.

Why it works?

This progression works so well because of the notes of each chord change are related. For the I – V chords there is one common tone that links both chords. For example, in Let it Be, the C major chord (C – E – G) is linked to G major chord (G – B – D) by one chord tone, which is G. This helps to establish the positive section of the song.

Then, we change from V to vi, for which there are no common tones and we shift from major mode (happiness) to minor mode (melancholy). But then we change to the IV chord, and since it is a major chord, going from melancholy to happiness again turns your song into an inspirational sound.

How can I use it?

  • Enter the Songtive app, and tap the menu
  • Select “My Stuff” and then “Songs”
  • Tap the “+” button to add a new default song
  • Tap the musical note at the bottom right and select your root, i.e. your song’s key
  • Tap the “CHORDS” section to add or change the chords of your song
  • That’s it! Now try for different styles by using the “Mixer” at the bottom right!

Remember to try different keys and different styles to get as many artistic results as you like! Step up your game by creating the right progressions for your songs by keeping up with our blog, in which we review new songwriting tools every week!

Learning from the Masters – Part 3

Posted on September 29, 2017 by songtive

funny girl student with glasses reading books

Hi there! Today in Songtive we’re going to follow our ‘Learning from the Masters’ series reviewing the legendary Queen classic Bohemian Rhapsody! This worldwide known song has many interesting aspects worth to analyze and to incorporate in your composer’s toolbox. The singular structure, the musical approach of the ideas we’re listening, the combination of classical music elements into a (for that time) modern rock and roll setting; all of it combined to shape one of the most memorable songs ever written!

Before getting into it, let’s remember some bullet points that we will observe:

  • For analysis purposes, the most convenient way to get into it is to get the structure first.
  • The introduction will give you the essential information you need: the key, the main theme(s) and the character.
  • Verses present the main vocal ideas, and usually are repeated with only a variation in the lyrics, conserving the underlying chord progression to keep the balance and symmetry.
  • Chord-melody relationship will provide you information on why things sound appealing to our ears and are via chord tones and melody’s notes that this relation is established.

Released in 1975 as one of the lead singles from their A Night at the Opera album, the song stands as one of the most emblematic rock icons of the last 40 years! And much of its success can be owed to Freddie Mercury’s outstanding songwriting work on it.

First things first: the thing that makes Bohemian Rhapsody a timeless classic is its structure’s complexity. The song departs from the common verse – chorus – verse – solo – chorus formula, and it is set as more of a musical suite than anything else. That is, the song is planned to tell a story through multiple musical episodes, each one approaching a particular point of the main character. Let’s check it out!

Intro

At 0:05 starts the memorable introduction of Bohemian Rhapsody and it goes to 0:53. It presents the character and something that would be a recurring element throughout the song: an a capella choral arrangement (made entirely of chord tones) and the theme of the poor boy in trouble, which is the principal argument of the song. The main pieces of what Bohemian Rhapsody are established during this introduction section.
Lessons: Intro section needs to set the mood of your song, so keep it soft and with few instruments to make it a ballad.

1st Verse

The first verse starts at 0:54, the piano accompaniment pattern is established and will last the whole song, using the following chord progression: Bb – Gm – Cm – F. This can be read as I – vi – iv – V. We can hear the piano and electric bass supporting the melody Freddie sings, so the intention is to keep it subtle, as it is the story of an incident. The mood is that of a slow ballad.

Lessons: Using sparse writing, like arpeggios, chord tones for the bass and subtle-to-non percussion is useful to set a light mood for your ballads.

Bridge

At 1:24 begins the bridge, a section that will be used as a transition point between verses. Roger Taylor’s kits start here, to add motion and intensity to the song, as the melody goes higher. Note how the melody descends as Freddie sings “carry on, carry on”, adding more meaning to the fateful phrase.

Lessons: Enhance the emotional range of your melodies by placing them properly. Use middle-range melodies to establish the mood, ascending lines for stronger emotions and descending ones to release the tension of the moment.
The chords are: Eb – Bb – Cm – Fm

2nd Verse

Starting at 1:53, the second verse explains what is going on in the poor boy’s head as he has to face the consequences of his actions. Note how the same pattern is repeated: the piano+bass accompaniment, followed by the drums. Now, instead of a sung bridge, we get the same chords with a new addition: the first guitar solo.

Lessons: To add more verses, you can use the same chords as in the first one. Make sure to bring something different

1st Solo

Starting at 2:40, the solo serves two purposes for this song: as the close of the first section, exposing the situation (how the boy murdered someone) and the unforeseen consequences (the boy dealing with it by writing a letter to his mother). The second function is to serve as an interlude for the beautiful and legendary a capella choir that follows, in four-part harmony!

Lessons: Expand your solo ideas by recycling material. This is good to keep coherence. Note how the solo is being played over the same chords as the bridge: Eb – Bb – Cm – Fm

We hope that you have enjoyed the first section of Bohemian Rhapsody and got some great ideas from it using our lessons! In the following article, we’ll get deeper in the interesting a capella section and the exciting second half of this timeless rock classic!

Doo Wop Progression

Posted on April 7, 2016 by songtive

funny girl student with glasses reading books

Today in Songtive.com we’ll be analyzing a popular chord progression. It’s called the ‘Doo Wop Progression’, and is one of the most popular harmonic cycles ever! It consists of a I – VI – IV – V progression that defined an era, as you will see. Many songs going from jazz standards to timeless classics of pop ballads and rock and roll hits spawning around 50 years of music history! Wow! Now that’s something, doesn’t it? Let’s check out some examples:

  • The Righteous Brothers – “Unchained Melody”
  • Billy Joel – “Uptown Girl”
  • Carly Rae Jepsen- “Call Me Maybe”
  • Ben E. King – “Stand By Me”
  • Green Day – “Jesus of Suburbia”
  • The Police – “Every Breath You Take”
  • Destiny’s Child – “Say My Name”
  • Chubby Checker – “Let’s Twist Again”
  • David Bowie – “Ashes to Ashes”
  • Lana Del Rey – “Prom Song (Gone Wrong)”

That’s quite a list, don’t you think? And this is just a small part of the long repertoire containing this popular chord progression!

Where does it come from?

This progression is born out of the Doowop style, a genre which was very popular during the 1940s to the early 1960s. It consisted of a 3 to 4 part choir using close harmonies, usually male choirs. It takes some influence from gospel music and introduces the concept of making it just for fun, treating more relaxed subjects from everyday life, without the praising element of gospel music.

They relied on simple-but-effective chord progressions that helped to define the style, like the one we are discussing today!

Why does it work?

If look closely to the order of the chords, you can see that it resembles an authentic cadence, which is a device to give conclusion to a musical idea – as we already discussed in a previous article. The first part goes from I – VI – IV and all the chord contained in here are sharing common notes, which makes it sound good and coherent; the final part closes this musical thought with a cadence V – I which happens when you repeat the progression, making it a wonderful resource for a verse or a chorus because of its length.

A Musical Example

Let’s take Ben E. King’s ‘Stand By Me’ to analyze the effect this progression has. The overall impact ‘Stand By Me’ had in the music history is undeniable, and the mix of lyrics and 50s feel this progression gives to it is one of the elements that made it unforgettable:

From the start you can hear the bass setting up the Doo Wop Progression:

Let’s take it upon the analysis we talked before:

  1. Break the first part into chord tones:
    A major: A – C# – E
    F# minor: F# – A – C#
    D major: D – F# – A
    As you can see every chord shares two common notes with the next one, making it sound great due to consonance principles we discussed in a previous article
  2. Check the cadence:
    When you repeat the chord progression you create a cadence going from V to I. Going from E major (E- G# – B) to A major (A – C# – E) makes the G# (a leading tone) go to A (the tonic of the song), thus making it a sure hit to close a musical phrase

That’s it! Now you can go and share your musical thoughts exploring a new chord progression that will quickly structure your music using Piano Companion! See you next time!

The Minor Fourth Chord

Posted on March 30, 2016 by songtive

funny girl student with glasses reading books

Today we’re gonna learn about a curious chord progression that you all can identify in a wide number of popular songs. We are talking about the use of a minor fourth degree (IVm) that adds a melancholic feeling to the phrases’ endings – which we already discussed with the name of cadences.

There are many examples in the music literature using this little cadential chord progression, let’s take a look:

  • The Beatles – Blackbird
  • Green Day – Wake Me Up When September Ends
  • Queen – Bohemian Rhapsody
  • Doris Day – Dream a Little Dream of Me
  • Santo & Johnny – Sleepwalk

As you can see there are plenty of songs and different musical genres on the list using this small but effective chord progression!

Building a IVm Progression

This progression is made out of 2 chords: a IV chord from a major key that will be turned into a minor chord flattening its third (one fret lower/one key lower) and the I chord from the same major key. This process of altering the original IV chord is also called “borrowing”, because they do not belong to that major key’s original triads – which we discussed in a previous article. However, it can be expanded in multiple ways as we will see. Let’s check it out in detail:

  1. Identify the IV chord of a major key: You get one major key to practice and identify the IV chord (a major one) and break it into chord tones.
  2. Flat the Third: Once you got the chord tones forming the IV chord, it’s time to turn it into a minor chord by lowering the third down one half-step. If you have a C major chord (C – E – G) and you low its third down one half step it will become C – Eb –G, therefore turning it into a minor chord.
  3. Close the Progression: The next step is to bring the chord progression to an end by placing the I chord – but not limited to – right after the IVm chord; this will give us a conclusion feeling – which is what makes it work.

Three easy steps to make it sound and put into use right now! Let’s take it for a test drive:

“Sleepwalk” by Santo & Johnny

We are going to explore the possibilities of our just-learned chord progression by break it popular hit ‘Sleepwalk’ into its chord progression and analyze how the IVm chord is working in there!
Let’s take a listen:

Even when it is a mostly solo performance on a lap steel guitar, we can hear an underlying chord progression played by rhythm guitar on the background:

At 0:19 we can hear that melancholic and sweet feeling the Fm chord gives to the whole progression. Let’s get into details according to the process we learned:

  1. Identify the IV chord of a major key: Since the song starts and finish with a C major chord, we can positively assume it is written in the C major key. We identify the IV chord – that being F major – and break it into its chord tones: F – A – C.
  2. Flat the Third: Since we already know how the IV chord in C major key is formed, we flat its third to turn it into a minor chord: F – Ab – C.
  3. Close the Progression: Even when we discussed that the I chord is next in line, that principle can be expanded with the purpose of enlarging the chord progression. After the IVm chord (F minor) follows a V7 chord (G7) that will act as a leading chord to C major, since it contains the leading tone of the C major key – a B note.

Going Beyond

When it comes to learning chord progressions and harmonic principles, which is what we’re doing, the most convenient way to understand them is to explore diverse keys. This will give you a different view and a mastery of all keys, which will make you a resourceful composer!

Use our Songtive app to explore all the possibilities! Let’s transpose the ‘Sleepwalk’ progression and try it around another major keys. Remember to use the Songtive Transpose feature for easy transposition:

In D major key:

In F major key:

You can check out our most popular app Piano Companion which helps you to better understand chords and scales.

4 Ways to Develop Instrumental Solos

Posted on March 23, 2016 by songtive

tutorial

This time we will get some new resources to our composition toolbox. We will learn how to focus the creation of an instrumental solo – be it for guitar, piano, bass or any other instrument. But enough talk, let’s check it out!

The Resources

The musical resources we are going to discuss can be applied to any genre or style you like, because they won’t affect the singularities of any of them. You can list them in this way:

  1. Arpeggios
  2. Thirds & Sixths
  3. Passing Tones
  4. Chord/Scale relationship

The most important thing to keep in mind is that all of them work within the harmony; this means you have to use them being careful of the chord tones! That’s it! 4 powerful tips will really get you to start developing really nice signature solos for you. Let’s get into the details:

1. Arpeggios

Arpeggios are the way in which chords are broken into their chord tones and rearranged. Let’s take the following chord progression for example:

And break it into their chord tones:

Bm: B – D – F#
F#: F# – A# – C#
A: A – C# – E
E: E – G# – B
G: G – B – D
D: D – F# – A
Em: E – G – B

This is the chord progression for Hotel California by The Eagles. When you take those notes and combine them in a creative way, playing along with the chords behind, you get an epic solo! Check it out:

Thanks to YouTube user hutgreen for his great performance!

The arpeggios start at 1:29, take a good look at how only the chord tones are used during each change of the harmony behind it.

2. Thirds & Sixths

When you already have a melody and you’d like to add some interest to it, or you’d like to sound fresh and can’t-go-wrong in terms of harmony, using thirds and/or sixths below or above the melody will be an excellent choice. Thirds and/or sixths tend to sound good because they are consonant with the notes they part from.

If you’re doing a run like the B – D – B – A – G like the one at 1:18, and add up the thirds below them: G – B – G – F# – E, you will get a beautiful harmonization of the main melody!

3. Passing Tones

If all the melodies were based entirely in chord tones it would be really dull doesn’t it? So we will add some “outside” notes that will color our solo adding a singing quality to it! How? Just place one note “passing” between two chord tones! Let’s see another example:

At 2:46 the solo starts with a G – C – B and a C major chord behind it. The B note doesn’t belong to the C major chord tones’ but hitting it right after a note that does adds a nice color effect. Then it goes C – D – E behind a C major chord again, the D note keeps the melody singing!

4. Chord/Scale Relationship

Remember all those scale patterns you learned? Major scales, minor scales, minor pentatonic scales? It’s time to put them to use!
The ideal way to use those patterns is to apply the one that contains the notes of the chord we are playing above and experiment with different rhythms and positions! For those piano players out there: let’s take the A minor pentatonic pattern from Piano Companion as an example:

The notes are, from left to right: A – C –D – E – G – A and it repeats again on the remaining keys.

Check out how the Stairway to Heaven solo starts at 0:13 using E as the first note (chord tone of A minor) and A as the closing one at 0:16. Both notes right on the pentatonic pattern you already know, but giving relevance to the chord tones!

Now that you own these awesome resources it’s time to create your perfect solo using Songtive! Get your melody tool and use the Piano Companion tool to experiment with the music I am sure is sounding in your head!