Monthly Archives: October 2025

Quick Answer First species counterpoint is a core music theory technique that aligns each note of one melody with a note in another, akin to a perfectly synchronized dance. In this context, unison may not always mean the same pitch due to clef annotations like a small ‘8’, which can indicate an octave. In first […]

Classical fake books are collections of simplified sheet music that make complex classical compositions more accessible. They are invaluable for musicians seeking to explore improvisation and creativity without getting entangled in intricate details. While they encourage innovation, they might not meet the standards of professional classical performances. Quick Answer Classical fake books are ideal for […]

Classical counterpoint is the art of intertwining musical lines so they sound harmonious and interdependent, while still preserving their unique identities. Direct fifths—parallel movements of notes separated by five scale degrees—are generally avoided due to their potential to diminish the independence of voices. However, composers sometimes bypass this “rule” to enhance musical expression or achieve […]

Quick Answer Diminished chords are fascinating creatures in the world of harmony, constructed by stacking minor thirds. This unique formation creates a tense, unresolved sound often used in classical music to transition smoothly between musical ideas. Diminished chords are essential for creating tension and guiding transitions in classical compositions. I remember introducing my students to […]

Vibrato in music is a subtle, rapid pitch variation that adds warmth and expression, often used by singers and string players. While the piano can’t produce true vibrato due to its fixed-pitch nature, pianists can simulate this effect using techniques like rapid note repetition or subtle changes in dynamics and articulation. To achieve a ‘vibrato’ […]